Fairlawn Avenue United Church
Online Worship and Music Bulletin
Sunday, March 20
107th Anniversary

Do One Thing, and Then Another

Rev. Douglas duCharme
Eleanor Daley, Director of Music

Scripture – Luke 13:1-9
Reader – Sheila Corkill

Fairlawn Avenue Senior Choir and Guests

PRELUDE  Winter, 2nd movement, Largo (from The Four Seasons RV 297)                Antonio Vivaldi (1678-1741)
Voices of Music
Violin – Cynthia Freivogel

OPENING HYMN  All Creatures of Our God and King               Music: Geistliche Kirchengesänge   Descant and reharmonization: E. Daley
Fairlawn Avenue Senior Choir and congregation

All creatures of our God and King,
Lift up your voice and with us sing:
Hallelujah, hallelujah!
Bright burning sun with golden beam,
Soft shining moon with silver gleam.
Sing praises, sing praises,
Hallelujah, hallelujah, hallelujah!

O rushing winds and breezes soft,
O clouds that ride the winds aloft,
Sing praises, hallelujah!
O rising morn, in praise rejoice;
O lights of evening, find a voice:
Sing praises, sing praises,
Hallelujah, hallelujah, hallelujah!

Earth, ever fertile, day by day
Brings forth rich blessings on our way:
Sing praises, hallelujah!
The flowers and fruits that verdant grow,
Let them God’s glory also show:
Sing praises, hallelujah,
Hallelujah, hallelujah, hallelujah!

And everyone of tender heart,
Forgiving others, take your part:
Sing praises, hallelujah!
All who long pain and sorrow bear,
Praise God and yield up all your care:
Sing praises, hallelujah,
Hallelujah, hallelujah, hallelujah!

Let all things their Creator bless,
And worship God with humbleness:
Sing praises, hallelujah!
Praise God eternal, praise the Son,
And praise the Spirit, three in one:
Sing praises, hallelujah,
Hallelujah, hallelujah, hallelujah!
(St. Francis of Assisi, 1225,
trans. William Henry Draper, ca. 1919)

ANTHEM  We Are Not Alone             Pepper Choplin (b. 1957)
Fairlawn Avenue Senior Choir and Guests

We are not alone, God is with us.
We are never alone, for God is with us.
Now, through all our days, always.
Forever and ever, we are never alone.
And God will make us strong, for God is with us.
We will press on, for God is with us now.
Our God is with us now.
(Pepper Choplin)

HYMN  O God Beyond All Praising               Music: Gustav Holst (1874-1934)  Descant: Richard Proulx (1937-2010)
Fairlawn Avenue Senior Choir and congregation

O God beyond all praising, we worship you today,
And sing the love amazing that songs cannot repay;
For we can only wonder at every gift you send,
At blessings without number and mercies without end:
We lift our hearts before you and wait upon your word,
We honour and adore you, our great and mighty Lord.

The flower of earthly splendour in time must surely die,
Its fragile bloom surrender to you the Lord most high;
But hidden from all nature the eternal seed is sown,
Though small in mortal stature, to heaven’s garden grown:
For Christ, the man from heaven, from death has set us free,
And we through him are given the final victory.

Then, hear, O gracious Saviour, this song of praise we sing.
May we, who know your favour, our humble service bring;
And whether our tomorrows be filled with good or ill,
We’ll triumph through our sorrows and rise to bless you still:
To marvel at your beauty and glory in your ways,
And make a joyful duty our sacrifice of praise.
(Michael Perry, ca. 1982)

ANTHEM The Church’s One Foundation           E. Daley (2015)  Verse 4 melody: Samuel Sebastian Wesley (1810-1876)

CLOSING HYMN  Go to the World                Music: Ralph Vaughan Williams (1906)  Descant: E. Daley
Fairlawn Avenue Senior Choir and congregation

Go to the world! Go into all the earth.
Go preach the cross where Christ renews life’s worth,
Baptizing as the sign of our rebirth.
Hallelujah! Hallelujah!

Go to the world! Go into every place.
Go live the Word of God’s redeeming grace.
Go seek God’s presence in each time and space.
Hallelujah! Hallelujah!

Go to the world! Go struggle, bless and pray;
The night of tears give way to joyous day.
As servant Church, you follow Christ’s own way.
Hallelujah! Hallelujah!

Go to the world! Go as the ones I send,
For I am with you ‘til the age shall end,
When all the hosts of glory cry “Amen!”
Hallelujah! Hallelujah!
(Sylvia Dunstan, 1985)

POSTLUDE  Spring, 1st movement, Allegro (from The Four Seasons RV 297)          Antonio Vivaldi (1678-1741)
Voices of Music
Violin – Alana Youssefian

This morning’s anthem and hymn texts are reprinted under onelicense.net #A-717945. We Are Not Alone – words by Pepper Choplin, © 2005 Harold Flammer Music. O God Beyond All Praising – words by Michael Perry, © 1982 Hope Publishing Company. Go to the World – words by Sylvia Dunstan, © 1991 G.I.A. Publications. All rights reserved.

 Music Notes 

ANTONIO VIVALDI (1678-1741) was an Italian Baroque composer, virtuoso violinist, teacher, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. Vivaldi’s main teacher was probably his father, Giovanni Battista, who in 1685 was admitted as a violinist to the orchestra of the San Marco Basilica in Venice. Vivaldi composed many instrumental concertos for the violin and a variety of other musical instruments, as well as numerous sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale del la Pietà, a home for abandoned children. He worked there as a Catholic priest and teacher from 1703 to 1715 and from 1723 to 1740. Vivaldi (who earned the nickname “The Red Priest”, due to his distinctive reddish hair) also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, he moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi’s arrival, and Vivaldi himself died in poverty less than a year later.

ST. FRANCIS OF ASSISI (ca. 1181-1226), born Giovanni di Petro di Bernardone, was an Italian Catholic friar, deacon, philosopher, mystic and preacher. He abandoned a life of luxury for a life devoted to Christianity after reportedly hearing the voice of God, who commanded him to rebuild the Christian church and live in poverty. He is the patron saint of animals and the environment.

WILLIAM HENRY DRAPER (1855-1933) was an English hymnodist and clergyman who wrote the texts for approximately sixty hymns. He is most famous for All Creatures of Our God and King, his translation of “Canticle of the Sun” by Francis of Assisi.

PEPPER CHOPLIN (b. 1957) is a full-time composer, conductor and humorist. He has gained a reputation as one of the most creative writers in church music today. With a Bachelor of Music degree from the University of North Carolina at Greensboro, he went on to earn a Master of Music degree in composition from Southwestern Baptist Theological Seminary. Much of Pepper’s creative energy goes into planning creative and vibrant worship for Greystone Baptist Church in Raleigh, NC where he is Minister of Music. Many of his anthems are born out of a need at his own church. Pepper’s chief desire is “to create music that will lead people to worship in a dramatic way.”

GUSTAV HOLST (1874-1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. There were professional musicians in the previous three generations of Holst’s family and it was clear from an early age that he would follow the same calling. He had hoped to become a pianist but was prevented by neuritis in his right arm. Despite his father’s reservations, he pursued a career as a composer, studying at the Royal College of Music under Charles Villiers Stanford. Unable to support himself by his compositions, he played the trombone professionally and later became a teacher—a great one, according to his colleague Ralph Vaughan Williams. Among other teaching activities, he built up a strong tradition of performance at Morley College, where he served as musical director from 1907 until 1924 and pioneered music education for women at St Paul’s Girls’ School, where he taught from 1905 until his death. Holst’s works were played frequently in the early years of the 20th century, but it was not until the international success of The Planets in the years immediately after the First World War that he became a well-known figure. A shy man, he did not welcome this fame and preferred to be left in peace to compose and teach. In his later years, his uncompromising, personal style of composition struck many music lovers as too austere, and his brief popularity declined. Nevertheless, he was a considerable influence on a number of younger English composers, including Benjamin Britten.

RICHARD PROULX (1937-2010) was an American musician who possessed of a rare combination of talents as a composer, conductor, music editor and organist. These talents, together with wide experience across denominational lines, gave him a unique perspective of both the opportunities and the challenges found in liturgical music making. His compositional output included congregational music in every form, sacred and secular choral works, song cycles, two operas, as well as instrumental and organ music. He served as a consultant for numerous hymnals, and conducted choral festivals in the USA, Canada, the Netherlands, Switzerland, Scotland, Australia, and New Zealand.

MICHAEL PERRY (1942-1996) was a Church of England clergyman, and one of the leading British hymnodists of the 20th century. He was educated at Dulwich College and went on to study at University College London; Oak Hill Theological College, London; Ridley Hall, Cambridge; and the University of Southampton. In the course of his short life, Perry wrote over 300 hymn texts – the most well known being O God Beyond All Praising, set to the tune “Thaxted” (a hymn tune by the English composer Gustav Holst, based on the stately theme from the middle section of the Jupiter movement of his orchestral suite The Planets, and named after Thaxted, the English village where Holst lived much of his life.) Perry was increasingly disabled by an inoperable brain tumour that was diagnosed in early 1996, and tragically died at the age of 54 in December of 1996.

RALPH VAUGHAN WILLIAMS (1872-1958) was an English composer and some-time organist and choir director. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social outlook. Throughout his life he sought to be of service to his fellow citizens, and believing in making music as available as possible to everybody, he wrote many works for amateur and student performance. Vaughan Williams is among the best-known British symphonists, noted for his very wide range of moods, from stormy and impassioned to tranquil, from mysterious to exuberant. Among the most familiar of his other concert works are Fantasia on a Theme by Thomas Tallis (1910) and The Lark Ascending (1914). His vocal works include hymns, folk-song arrangements and both small and large-scale choral pieces. Two episodes made notably deep impressions in Vaughan Williams’ personal life. The First World War, in which he served in the army, had a lasting emotional effect. Twenty years later, though in his sixties and devotedly married, he was reinvigorated by a love affair with a much younger woman (Ursula Wood), who, by all accounts, seems to have been adopted by his wife Adeline in the most amicable way, to be her successor, and who did indeed become his second wife when Adeline passed away at the age of eighty. Vaughan Williams composed his last symphony just months before his death at the age of eighty-five.

Canadian clergywoman SYLVIA DUNSTAN (1955-1993) became one of the leading hymn writers in North America during her brief life. She was raised by her grandparents, who had Methodist and Salvation Army backgrounds, and received her formal musical education from Sister St. Gregory at St. Joseph’s convent. Growing up on the “evangelical side of the United Church of Canada,” Dunstan found her musical education at a Catholic convent expanded her spiritual as well as musical horizons. A graduate of York University with degrees in theology and divinity from Emmanuel College in Toronto led to her ordination in the United Church of Canada in 1980. She served as a prison chaplain for 10 years at a maximum-security jail in Whitby, and entered into a Masters of Theology programme at Emmanuel College, graduating with honours in 1986. She was appointed to Malvern Emmanuel United Church in Scarborough, just a few years before she was diagnosed with the cancer that tragically took her life at the young age of 38.

Crocus Flowers

Music Sources:

Winter, 2nd movement, Largo (from The Four Seasons RV 297) Antonio Vivaldi https://youtu.be/ZPdk5GaIDjo
All Creatures of Our God and King Music: Geistliche Kirchengesänge Descant: E. Daley Fairlawn Avenue Senior Choir and congregation
We Are Not Alone Pepper Choplin Fairlawn Avenue Senior Choir and Guests
O God Beyond All Praising Music: Gustav Holst Descant: Richard Proulx (1937-2010) Fairlawn Avenue Senior Choir and congregation
The Church’s One Foundation E. Daley verse 4 melody: Samuel Sebastian Wesley
Go to the World Music: Ralph Vaughan Williams Descant: E. Daley Fairlawn Avenue Senior Choir and congregation
Spring, 1st movement, Allegro (from The Four Seasons RV 297) Antonio Vivaldi https://youtu.be/3LiztfE1X7E

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